He gave the name of the station that he knew to be nearest to the village of which Toad Hall was the principal feature, and mechanically put his fingers, in search of the necessary money, where his waistcoat pocket should have been. But here the cotton gown, which had nobly stood by him so far, and which he had basely forgotten, intervened, and frustrated his efforts. In a sort of nightmare he struggled with the strange uncanny thing that seemed to hold his hands, turn all muscular strivings to water, and laugh at him all the time; while other travellers, forming up in a line behind, waited with impatience, making suggestions of more or less value and comments of more or less stringency and point. At last—somehow—he never rightly understood how—he burst the barriers, attained the goal, arrived at where all waistcoat pockets are eternally situated, and found—not only no money, but no pocket to hold it, and no waistcoat to hold the pocket!
To his horror he recollected that he had left both coat and waistcoat behind him in his cell, and with them his pocket-book, money, keys, watch, matches, pencil-case—all that makes life worth living, all that distinguishes the many-pocketed animal, the lord of creation, from the inferior one-pocketed or no-pocketed productions that hop or trip about permissively, unequipped for the real contest.
—Kenneth Graham, The Wind in the Willows
As a person who rarely ventures forth without enough supplies and equipment to survive an earthquake, zombie invasion, or two-hour wait for the doctor, I completely sympathize with Mr. Toad. I suspect that if The Wind in the Willows were written today Toad would never leave Toad Hall without his Burberry murse.